Dalelorenzo's GDI Blog
28Mar/210

How to Be Your Own Boss (& Ditch Your Day Job)

If you decide to be your own boss, it's a spectacular change from the typical 9-to-5 cubicle prison you’ve been working in.

You will become a business owner and in charge of your financial fate and future profession. You are in control.

With the flexibility of labor whenever and wherever you want, being your own boss can be a major contributor to living a rightfully Rich Life.

But that doesn’t mean you should march into your manager’s office, quit your job and start a business this afternoon( although you could ). Wondering how to be your own boss?

4 tip-off for build a great business allowing you to be your own boss

These tips-off come from over a decade of coaching freelances, side-hustlers, and solopreneurs. Let's dive in!

Tip 1: Start on-the-side

If you deplete a good deal of era fantasizing about being your own boss or listening to podcasts about starting a business, it can be tempting to time discontinue your job and “make it work.”

But unless you have a huge nest-egg to draw on for a few months( or times) while you get your business loping smoothly, quitting your job may not certainly be the best option.

Yes, it works for some people to precisely retire and operate from dwelling, cold turkey. But for many others, they too-quickly run out of money, can’t earn money fast enough and then can’t pay rent or framed menu on the table and get running back to their day job.

Instead, I recommend you start a side-hustle first.

My business, which I now toil from home running full-time, started as a side-hustle. I improved it up a few hours a day for over seven years. When the moment was right, I ultimately took it full time in order to be my own boss.

There are a few key reasons it’s a good hypothesi to start a side-hustle before taking the leap. Now got a few 😛 TAGEND

A side-hustle will experiment your dedication to running a business. If you don’t have the drive or passion to run a side-hustle, you won’t have the passion to run a full-time business. A side-hustle will help build up your monetary runway. In order to build a smart business, you’ll need some cushion. Use funds from your full-time job and side-hustle to build up some savings before taking the leap. A side-hustle will help you get some friction in your business. Starting a business from scratch can be daunting. Better to do it while you have the safety net of a enterprise than when literally everything is riding on your success. A side-hustle will help you develop the skill set you need to run a business. Running a great business is nothing like the project you do daily in your cubicle( unless you're running a giant bureau ). A side-hustle will allow you to build up your managerial skillset, administration knowledge, and read what it’s like to work from residence.

Tip 2: Pick a simple, low-cost business model

In order to keep a business idea into gesture, you'll need to sell a products or services. That's just simple business.

If your goal is to be your own boss abruptly, one fast style to get there is by picking a simple, low-cost business model like freelancing, consulting, or otherwise hiring out your own service and expertise.

If you’re a decorator, columnist, developer, craftsman, or otherwise creative, you already have the skill set you need to be your own boss and toil from home.

With a laptop, some basic furnishes, and some hard work, you can begin to find potential clients for your business, and become a freelance writer, decorator, make, or hundreds of other options depending on your skillset.

woman working from home with lap top By freelancing, you can enjoy the freedom of being your own boss without huge is the beginning expenses.

You don’t have to find investors with a good deal of fund, write up a 100 -page business propose, get a degree in management abilities, or loan an office in order to be a business owner or be your own boss. For some business thoughts, you don’t even need fund to is starting depending on the products or services you offer.

Here are a few questions to ask yourself when determining if your business representation is a good idea 😛 TAGEND

Can I start this business idea with gear and resources I already own? Do I have the technology and tools I need to start this business from dwelling today? If not, how much will I "re going to have to" invest to be up-and-running? How much will it cost me today to start this business idea? Can I begin controlling my business today without making a huge fiscal asset? How promptly can this business start generating cash flow? How long until I actually earn money from this business idea?( The quicker, the very best .)

Tip 3: Quit when the time is right

When I was unexpectedly "lets get going" from my day activity( along with half the company I was hired by only a few months earlier ), I decided it was time 😛 TAGEND

I was finally going to be my own boss.

After a few weeks of working for myself, I started wondering: “Why didn’t I do this a LONG duration ago !? ”

Being my own boss has literally been one of the best things to ever happen to me. But without the push of get laid off, I might have found myself working for someone else ... forever.

That’s a spooky thought.

But I’ve also met people who jump too soon -- assuming that since they hate their job, they must be cut out for self-employment and ready to work from dwelling even though they have no idea what product or service they could offer.

That somehow, they’ll make a lot of money working for themselves.

It rarely works that way.

That’s why it’s critical that you discontinue your full-time job when the timing is just right. Not too soon, but not too early.

How can you predict the right seasoning? Now got a few methods 😛 TAGEND

Consider quit when you have enough financial runway. For some people, a healthy business runway amounts to three months of cushion. For others, it’s two years. Considering what we all went through this past year, Ramit recommends a year's worth of cushion( up from six months before COVID ). Consider cease when your side-hustle reachings a receipt purpose. Again, this comes down to personal preference. If you’re making as much or more at your side-hustle than at your full-time job( putting in a fraction of the hours ), perhaps it’s time to make the leaping. DON’T consider quitting when you have a bad day at the place. Bad days are just part of life. Having a bad day at work is not a reason to quit your job and become an entrepreneur( unless everything else are in favour of ).

Tip 4: Exactly start!

Finally, my best advice to you if you’re tired of working your daylight occupation and want to be your own boss is to just get started.

Most people in your shoes do far too much reading articles, listening to podcasts, watching YouTube videos, developing your skillset, and daydreaming.

You’ll never be your own boss that way.

The only way you’ll ever be your own boss is to taken any steps. Even if it’s something small -- like attract your first capacity consumers -- it can lead to eventual vast advantages and put you on the path to a successful business and a Rich Life.

So really start. Before you read or listen or watch another part of suggestion, go do something.

Here are some simple, speedy triumphs you can tackle today if you’re chose enough 😛 TAGEND

Create a simple portfolio to show off your work and share that you’re “available for hire” on your social programmes. Draft up a simple one-page business plan to kick things off right. Try any of these 6 ways to get your first consumer by the end of the week. Acquire one of these best business impressions that almost anyone can start online.

You’ve came this. Before you know it, you’ll be carrying up your cubicle, leaving your full-time job behind and you’ll be your own boss!

How to Be Your Own Boss (& Ditch Your Day Job ) is a affix from: I Will Teach You To Be Rich.

Read more: autocreditsoftware.com

26Mar/210

Crypto social network BitClout arrives with a bevy of high profile investors, and skeptics

While much of the recent wave of relentless hype around NFTs — or non-fungible tokens — has been most visibly manifested in high-dollar art auctions or digital trading cards sales, there’s also been a relentless string of chatter among bullish investors who see a future that ties the tokens to the future of social media and creator monetization.

Much of the most spirited conversations have centered on a pre-launch project called BitClout, a social crypto-exchange where users can buy and sell tokens based on people’s reputations. The app, which launches out of private beta tomorrow morning, has already courted plenty of controversy inside the crypto community, but it’s also amassed quite a war chest as investors pump tens of millions into its proprietary currency.

Early backers of the platform’s BitClout currency include a who’s who of Silicon Valley investors including Sequoia Capital and Andreessen Horowitz, the startup’s founder tells TechCrunch. Other investors include Chamath Palihapitiya’s Social Capital, Coinbase Ventures, Winklevoss Capital and Reddit co-founder Alexis Ohanian. A report in Decrypt notes that a single wallet connected to BitClout has received more than $165 million worth of Bitcoin deposits suggesting that huge sums have already poured into the network ahead of its public launch.

BitClout falls into an exploding category of crypto companies that are focusing on tokenized versions of social currency. Others working on building out these individual tokens include Roll and Rally, which aim to allow creators to directly monetize their internet presence and allow their fans to bet on them. Users who believe in a budding artist can invest in their social currency and could earn returns as the creator became more famous and their coins accrued more value.

Why Terry Crews is launching a social currency

“If you look at people’s existing relationships with social media companies, it’s this very adversarial thing where all the content they produce is not really theirs but it belongs to the corporation that doesn’t share the monetization with them,” BitClout’s founder, who refers to themselves pseudonymously as “diamondhands,” tells TechCrunch. (There’s been some speculation on their identity as a former founder in the cryptocurrency space, but in a call with TechCrunch, they would not confirm their identity.)

The BitClout platform revolves around the BitClout currency. At the moment users can deposit Bitcoin into the platform which is instantly converted to BitClout tokens and can then be spent on individual creators inside the network. When a creator gets more popular as more users buy their coin, it gets more expensive to buy denominations of their coin. Creators can also opt in to receive a certain percentage of transactions deposited into their own BitClout wallets so that they continue to benefit from their own success.

The company’s biggest point of controversy hinges on what has been opt-in and what has been opt-out for the early group of accounts on the platform. Most other social currency offerings are strictly opt-in. Users come to the platform in search of a way to create tokens that allow them to monetize a fanbase and build a social fabric across multiple platforms. The thought being that if the platforms own the audience then you are at their mercy.

BitClout has taken an aggressive growth strategy here, turning that model on its head. The startup has pre-populated the BitClout network with 15,000 accounts after scraping information from popular public Twitter profiles. This means that BitClout users can buy shares of Kim Kardashian’s social coin or Elon Musk’s without those individuals ever having signed up for a profile or agreeing to it. This hasn’t been well-received by all of those who unwittingly had accounts set up on their behalf including many crypto-savvy users who got scooped up in the initial wave of seeding.

The startup’s founder says that this effort was largely an effort to prevent handle squatting and user impersonation but he believes that as the platform opens, a sizable pre-purchase of creator coins reserved for the owners of these accounts will entice those users to verify their handles to claim the funds.

Perhaps BitClout’s most eyebrow raising quirk is that the platform is launching with a way to invest into the platform and convert bitcoin into BitClout, but at launch there’s no way to cash out funds. The project’s founder says that it’s only a matter of time before this is resolved, and points to Coinbase and the Winkelvoss twin’s status as coin holders as a sign of future exchange support to come, but the company has no specifics to share at launch.

While the founders and investors behind the project see a bright future for social currencies on the blockchain, many in the decentralized community have been less impressed with BitClout’s early efforts to achieve viral adoption among creators in a permission-less manner.

“BitClout will make a great case study on how badly crypto projects can mess up incentive engineering when they try to monetize social networks.” Jay Graber, a decentralized platform researcher involved in Twitter’s bluesky effort, said in a tweet. “Trust and reputation are key, and if you create a sketchy platform and mess with people’s reputations without their consent it is not going to go well.”

If BitClout comes out of the gate and manages to convert enough of its pre-seeded early adopter list that there is value in joining its closed ecosystem version of a social token then it may have strong early momentum in an explosive new space that many creators are finding valuable. The concepts explored by others in the social currency space are sound, but this particular execution of it is a high-risk one. The network launches tomorrow morning so we’ll see soon enough.

If the question is #bitclout the answer is yes.

— Jordan Belfort (@wolfofwallst) March 20, 2021


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16Mar/210

How to prototype the artworld with blockchain

The DAOWO Sessions: Artworld Prototypes, a series of contests that took place online over the past few weeks, explored" the possibilities for the future of the artworld with blockchain by investigating what can be learned from DAOs( Decentralised Autonomous Organisations) working with Others( -WO )." The theme of these sessions was singularly relevant to the times we are living: a pandemic spur us to work with each other differently, calls for a fairer culture, prowes rooms looking forward to brand-new strategies to remain relevant and the frantic( or simply astounded ?) media interest for crypto art. The topic also inserts itself into a broader, much older context in which contemporary skill follows market reasonings that don't work for most artists.

DAOWO challenged masters to explore what would happen to their practice and communities if blockchain engineering was not used only for financial transactions or as a marketing trick but deployed to reinvent the future of the art macrocosm. In the DAOWO prototypes, the accent is not so much on how artistry exerts blockchain engineering but on how blockchain principles can transform the art from behind the situation, by democratising the processes and design of corporate governance, by thinking in revolutionary expressions about how creators can become the conductors of their own working patterns( rather than being dependent on the usual gatekeepers of the contemporary artwork manufacture .) As such, the paradigms also operated as employs in institutional critique.

The DAOWO Global Initiative questioned groups of craftsmen, curators and thinkers from Berlin, Hong kong residents, Johannesburg and Minsk to design new examples to address key questions about the potential of blockchain to oust outmoded sits, decentralise power structures and rewire the arts. The is the subject of these ventures is to test how a DAO would live in the artistry life and be used by its communities, representatives, users. Could they animate harmony? Are attributable to brand-new forms of partnership? Incentivise brand-new models of governance?

I wrote a few weeks ago about the Berlin experiment( BLACK SWAN DAO: Can blockchain democratise skills commissioning ? ), here's a few words about the other prototypes developed in the context of The DAOWO Global Initiative 😛 TAGEND

eeefff, Economic Orangery 2021. Screenshot from The DAOWO Sessions- Artworld Prototypes: DAO as Chimera( Minsk )

The most daring and inventive DAO prototype was presented by creator and computer scientist Nicolay Spesivtsev along with artist and columnist Dzina Zhuk from eeefff.

Their proposal takes the form of a live-action role play( LARP) securely anchored in the political actualities of a post-Soviet city like Minsk. The LARP, announced Economic Orangery 2021, gleans latitudes between the kind of decentralised harmony organisations that emerged in the small public courtyards of residential blocks ascertained all over the city and their online equivalent: the specifically constructed digital gaps that promote assure , non-censored communications. The artists included an extra layer of significance and playfulness by setting the game in a future when blockchain technology has become obsolete. This component of "science fiction of the present day" promotes participates to consider the values of working with decentralised engineerings both in the prowes world-wide and in different contexts of the horizontal organizations that are emerging in the wake of the protests against the reelection of Lukashenko and the collapse social organisation of Belarus. The LARP is thus envisioned as a co-dependency system where participates' decisions affect both the inner life design of the game and their own perception of real life.

Screenshot from The DAOWO Sessions- Artworld Prototypes: Ensembl( Hong Kong )

The Ensembl project from Hong Kong referred the dynamics of DAO to the interdisciplinary context of contemporary music-making. Ensembl is managed by Samson Young, artist, performer and imaginative head of the experimental clang advocacy constitution Contemporary Musiking; by novelist, filmmaker and anthropologist Mao Mollona; and by Andrew Crowe and Ashley Lee Wong from MetaObjects.

The project aspirations to create an" Ethereum -Based Platform for Decentralised Organising of Artistic Production ," implementing a DAO that would fully reflect the inherently dynamic, collaborative and ever-changing nature of acts. Ensembl analyse questions of authorship and collective forms of artistic production, where conducts, screenings and exhibitions are never prepared but perpetually being determined,( re) performed,( re) administered. With each iteration of the run, brand-new organisational and economic issues emerge.

Ensembl also reflects the many aspects that an artistic pattern can adopt over the course of a project, with artists successively attaining themselves in the role of grant scribes, creators, traitors, directors, researchers, etc. Each capacity suggests forms of labours that tend to be overlooked, if not invisible. Instead of recalling in terms of specified characters, the project qualities activity natures and the outcomes of interactions.

Ensembl allows art-making to express itself as a process rather than a finished run.

Screenshot from The DAOWO Sessions- Artworld Prototypes: Covalence Studios( Johannesburg) Zoom presentation

The Covalence Studios project, piloted by curator and researcher Bhavisha Panchia, craftsman Chad Cordeiro and artist, curator and researcher Carly Whitaker, exerted the idea and framework of the DAOs to consider the most flexible way to formulate, reorganize and incentivise collaboration and participation in the artistic community of Johannesburg.

Johannesburg, Panchia and Whitaker interpreted, is home to a community of international craftsmen who are increasingly leery of a public sphere associated with mismanagement of funding and decay in lands department of art and culture. As a repercussion, artists now "re going to have to" rely now more than ever upon the gallery sector to sustain their rehearsals. This privatisation of art funding has influenced the type of wields that get grown and restriction the prospects for more experimental rules. DAOWO could add artists with more independence from public and private simulations of artwork management.

The DAO that the Johannesburg team imagined is a shared creator studio opening that would be co-owned and programmable. Conceived in discussion with other physical seats such as Atlantic House in Cape Town and the Bag Factory Artist Studios, the studio would not only serve" communities that do not exist hitherto", it would also free itself from the usual gatekeepers and silos of practise.

The DAOWO Sessions- Artworld Prototypes: The Machine to Eat the Artworld

If you have to watch one video from the DAOWO session serial, make it Francesca Gavin( whose show about fungi was extremely fun and teach )' s interrogation with Ruth Catlow and Penny Rafferty, the curators who coordinated all the video sessions of the DAOWO Sessions- Artworld Prototypes.

Another conversation I would recommend is the Goethe Institute podcast in which Ruth Catlow, co-founder of Furtherfield, describes parallels between the early days of the web and blockchain. In the 1990 s, she and other masters received the web as a infinite where you could create, circulate, criticism and run handiworks, a lieu to collaborate and cooperate. Communications were direct and decentralised. From the early 2000 s, the landscape looked the emergence of a fluctuation of mass centralisation of the web orchestrated by monopolistic, profit-driven monstrous( Google, Amazon, Facebook, etc .)

The DAOWO initiative reminds us that decentralising campaigns and technological sciences are not going away and the work requires actors other than the ones belonging to the tech and finance sphere to scrutinise and operate them.

Another element I located particularly interesting about the DAOWO programme is that it was, as far as I know, the only initiative that gravely analyse that notorious" macrocosm after " everyone has spoken about in the early days of the pandemic but seem to have forgotten about.

A publication is in the pipeline. In the meantime, you can find more video recordings, information and documentation about the DAOWO Global Initiative on the website of the Goethe Institut.

Previously: BLACK SWAN DAO: Can blockchain democratise skills commissioning ?, Artists Re: Thinking the Blockchain; Value extraction and the workforce of the cryptocene; Cesar Escudero Andaluz. So many ways to mess up with surveillance capitalism; Using respiration to mine crypto-currencies; Trickle Down, A New Vertical Sovereignty, Digital Cash. The Unknown History of the Anarchist, Utopians and Technologists Who Created Cryptocurrency, etc.

Read more: autocreditsoftware.com